{"id":49250,"date":"2016-10-10T14:41:48","date_gmt":"2016-10-10T12:41:48","guid":{"rendered":"https:\/\/orkesterforbundet.se\/orkesterora\/?p=49250"},"modified":"2016-10-24T15:29:46","modified_gmt":"2016-10-24T13:29:46","slug":"evelyn-glennie","status":"publish","type":"post","link":"https:\/\/orkesterforbundet.se\/orkesterora\/evelyn-glennie\/","title":{"rendered":"Det g\u00e5r att lyssna utan h\u00f6rsel!"},"content":{"rendered":"<p>Den skotska musikern Evelyn Glennie \u00e4r d\u00f6v sedan 12 \u00e5rs \u00e5lder men \u00e4r en av v\u00e4rldens mest ber\u00f6mda och efterfr\u00e5gade slagverkare. Hon upptr\u00e4der ofta barfota f\u00f6r att k\u00e4nna vibrationerna fr\u00e5n slagverken. Glennie har som en av f\u00e5 slagverkare lyckats etablera en solokarri\u00e4r I den klassiska genren och har bland annat vunnit tre Grammys.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Den skotska musikern Evelyn Glennie \u00e4r d\u00f6v sedan 12 \u00e5rs \u00e5lder men \u00e4r en av v\u00e4rldens mest ber\u00f6mda och efterfr\u00e5gade slagverkare.<\/p>\n","protected":false},"author":3,"featured_media":49274,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[60,59,61,62],"class_list":["post-49250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-horsel","tag-horapparat","tag-horselcheckar","tag-horselvard","tag-vardval"],"_links":{"self":[{"href":"https:\/\/orkesterforbundet.se\/orkesterora\/wp-json\/wp\/v2\/posts\/49250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orkesterforbundet.se\/orkesterora\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orkesterforbundet.se\/orkesterora\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orkesterforbundet.se\/orkesterora\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/orkesterforbundet.se\/orkesterora\/wp-json\/wp\/v2\/comments?post=49250"}],"version-history":[{"count":1,"href":"https:\/\/orkesterforbundet.se\/orkesterora\/wp-json\/wp\/v2\/posts\/49250\/revisions"}],"predecessor-version":[{"id":49265,"href":"https:\/\/orkesterforbundet.se\/orkesterora\/wp-json\/wp\/v2\/posts\/49250\/revisions\/49265"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orkesterforbundet.se\/orkesterora\/wp-json\/wp\/v2\/media\/49274"}],"wp:attachment":[{"href":"https:\/\/orkesterforbundet.se\/orkesterora\/wp-json\/wp\/v2\/media?parent=49250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orkesterforbundet.se\/orkesterora\/wp-json\/wp\/v2\/categories?post=49250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orkesterforbundet.se\/orkesterora\/wp-json\/wp\/v2\/tags?post=49250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}